ME AND MY ASS PONY
Work is also a four-letter word! Fritz Ostermayer on preventing production

ARTIST’S FAVOURITES
By Ayse Erkmen: : Maider López, Mandla Reuter, Dane Mitchell, Ebru Özseçen, Dani Gal

ESSAY
Andreas Schlaegel asks, »Is the time ripe for a 90s revival?«, and searches for new projects in the spirit of Relational Aesthetics

CURATOR’S KEY
Pierre Bal-Blanc on Sanja Iveković’s Performance Eve’s Game

GLOBAL ART WORLD
Adam E. Mendelsohn was at Frieze, where he asked himself and others why art fairs are so annoying

GALLERIES
Rita Vitorelli talks with Jean-Claude Freymond-Guth, the director of Freymond-Guth and Co. Fine Arts in Zurich

INSTITUTION
Daniel Baumann on collector James Brett’s recently opened Museum of Everything in London

PORTRAIT SARAH LUCAS
Daniel Baumann on the work of the British artist, and how she has reinvented it in the last two years

PORTRAIT CAPACETE ENTRETENIMENTOS
Pablo Léon de la Barra on Helmut Batista’s Rio de Janeiro based art project

PORTRAIT LEOPOLD KESSLER
Open space and minimal manipulations. Fouad Asfour on the Austrian artist’s latest work

PERFORMANCE
Performa 09 – all of New York City is a stage. By Adam E. Mendelsohn

DESIGN
Nick Currie on the Swiss designer Janette Laverrière, one of the first Modernists

PRINTED MATTER
Joanna Fiduccia on First as Tragedy, Then as Farce, the newest book by Slovenian philosopher Slavoj Žižek

COLLECTION
Wilhelm Schürmann, one of Germany’s most influential collectors. By Andreas Schlaegel

VILNIUS
What is the reason for the international success of an institution like the CAC, or a gallery like Tulips & Roses? By Valentinas Klimašauskas

SEDUCTION or the things, that we like

REVIEWS
»Morality«, Witte de With, Rotterdam; »Gender Check«, Mumok, Vienna; »1989«, Kunsthalle Wien, Vienna; Elfie Semotan, Gabriele Senn Galerie, Vienna; Max Peintner, Georg Kargl Fine Arts, Vienna; Siggi Hofer, Kunsthalle Krems; Oscar Muñoz, OK Oberösterreich, Linz; steirischer herbst, Graz; »Antirepresentationalism«, KOW, Berlin; Monika Baer, Galerie Barbara Weiss, Berlin; Joëlle de La Casinière, Brandenburgischer Kunstverein, Potsdam; Georges Seurat, Kunsthaus Zürich, Zurich; Istanbul Biennale; »Russian Arte Povera«, Krasnyj Oktjabr, Moskau; »New Photography 2009«, MoMA, New York.